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Jelousy no alibi
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Oh my man….
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How awesome Sougen no Kiseki when there’re no noobs!!! How much we can feel the solidarity!!!
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I went to Minogashita Kimitachihe 2 live concert series at TDC. If I select from the setlist from the concert… 青春ガールズ/Seishun Girls, Virgin Love and 転がる石になれ/Korogaru Ishi ni Nare are my choices.
But personally I favors 青春のラップタイム/Seishun no Lap Time.
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I think they should make songs like Minasan mo Goisshoni more
Like….. not just Ota call to them but songs where members call to us, too.
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The flow of songs from Aishiteraburu to Pinocchio gun to Nakama no Uta in SKE’s Nagoya Gaishi Hall concert were too cool…
I was so impressed that I am convinced people who made the program were truly professionals….
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After all, the more MIX, the more fun and excitement.
Personally I live MIX of 月のかたち/Tsuki no Katachi.
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涙サプライズ/Namida Surprise
Because they dance like excited Ota in audience area. I really can sesse no border between the stage and audience.
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Recently I found アイシテラブル/Aishiteraburu looks fun…
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I want to MIX for chorus the part of Aishiteraburu…
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I feel sentimental when I watched me recorded in some live concert DVD so much enjoying the show….. like… “I haven’t had such a fun lately….”
Maybe this is a bad history of my life to ordinary people, but for me, it’s a part of dear sweet memories.
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Anything can be fun if audience are all SKE Ota. I couldn’t imagine we could get so high with Wasshoi E at Gaishi!!!
And…. same can be true to songs like 1!2!3!4! etc. they sound totally different when non-SKE Ota are there.
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I get so excited during the hook where we call to each member. But….. I am afraid that I would still call “Harugon!!” next time…..
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